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Prime Minister Benjamin Netanyahu of Israel has engaged in a public campaign to appear less reliant on U.S. military aid as President Trump urges allies to contribute more meaningfully to their own defense.
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Ships in the Gulf of Oman last month.
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As much as Hollywood has been wringing its hands over franchise fatigue, consider this: In July, a Spider-Man movie made $168 million at the box office in one day, and the top streaming series was a Game of Thrones spinoff.
Fortunately, if you are hungering for something original, you can still catch innovative comedy series like The Bear and Widow's Bay, or tense thrillers like FROM and Cape Fear (well, OK, that last one is a remake of a 1990 Martin Scorsese movie that was a remake of a 1962 Gregory Peck movie that was an adaptation of a book, but the point stands). Here are all of July's most-watched series, according to data from streaming information repository JustWatch.
Seems we still aren't sick of dragons and incomprehensible political intrigue: The third season of House of the Dragon, the Game of Thrones prequel based on a fake history tome by George R.R. Martin, came roaring back to the top of the streaming charts. With the season finale landing this weekend, fantasy fans will have to wait until the arrival of season two of A Knight of the Seven Kingdoms for their next Westeros fix. You can stream House of the Dragon on HBO Max.
Another book adaptation returning for a third season, Apple TV's Silo continues to track the downward spiral of the dregs of humanity, living together underground in a cavernous edifice that goes all the way down. If you've been wondering how things got so bad, this season goes back in time to reveal the source of humanity's downfall. (Unsurprisingly, humans are to blame.) You can stream Silo on Apple TV.
Across four seasons, we've watched neurotic chef Carmy (Jeremy Allen White) flame out as an elite chef, return to his humble beginnings in his family's Chicago sandwich shop, try to turn said sandwich shop into a fine dining establishment, experience ups and downs in his business and personal life, and finally, at the end of season four, quit the food industry altogether. Taking place mostly over the course of a single day, the fifth and final season explores the immediate aftermath of that monumental decision—on Carmy, and the rest of the restaurant's partners and kitchen staff. It's a fitting goodbye for one of the most lauded TV series ever. You can stream the final season of The Bear on Hulu.
This series from Apple TV has won nearly unanimous praise from both critics and audiences. It's a rare horror-comedy that manages to be genuinely scary and really funny. In the island town of Widow's Bay, literally everything is haunted, cursed, and otherwise beset with unspeakable evil, but Mayor Tom Loftis (Matthew Rhys) still really wants to bring tourism to the island. Mayor Tom is so married to his vision of Widow's Bay as the next Martha's Vineyard, he ignores the sea hags, fog monsters, and serial-killer ghosts surrounding him. The great Stephen Root plays Wyck, an old-timer who's always there to remind everyone that time is short and everyone is doomed. You can stream Widow's Bay on Apple TV+.
Based on the bestselling novel by Marissa Stapley, Apple TV's latest hit stars Anya Taylor-Joy as the titular con artist. Her name proves to be a tad ironic after her latest job goes wrong and she finds herself the prime target of both the cops and the dangerous crime boss—who also happens to be her mother-in-law. Annette Bening is clearly having a grand time playing the ruthless Priscilla Masterson, who blames Lucky for the loss of $10 million she and Priscilla's son Cary (Drew Masterson) stole—never mind that Cary eventually ran away with it. With a supporting cast that includes Aunjanue Ellis-Taylor and Timothy Olyphant, it's a fast-moving thriller with a sense of humor and an irresistible lead character. You can stream Lucky on Apple TV.
This London-set series stars the ultimate odd couple. Octavia Spencer plays Debbie, the American wife of a British politician, and Hannah Waddingham plays her good friend Judith, who happens to be a master assassin. After a hit gone wrong, Judith must go on the run to stay ahead of another assassin working against her, and to avoid running afoul of the ruthless agency (literally called The Agency) that employs her. Obviously, Debbie gets pulled along for the ride. It's a fast, tense, and funny thriller series. You can stream Ride or Die on Prime Video.
Like Max Cady in Cape Fear, the main character in I Will Find You has been imprisoned for a murder he did not commit. But unlike Max Cady, David Burroughs (Sam Worthington) doesn't set out to murder his lawyer. He was accused of killing his own son, and when he sees evidence that the boy is alive, he escapes prison to find his child. It's a modern take on The Fugitive: with the authorities on his trail, David must unravel a twisting conspiracy to clear his name and bring his child home. I Will Find You is a perfect summertime thriller. You can stream I Will Find You on Netflix.
The residents of the unnamed town at the center of FROM cannot catch a break. If it's not worms crawling around under their skin, it's the mysterious Man in Yellow stealing people's souls. Season four of this mystery-heavy show from the executive producers of Lost sees the survivors pushed to their limits as the veil between the strange town and the real world gets thinner. You can stream FROM on MGM+.
Executive-produced by Steven Spielberg and Martin Scorsese, Cape Fear is a 10-episode reimagining of a classic novel that has previously been adapted into two celebrated films. In this extended version, Amy Adams plays Anna Bowden, a defense attorney who unsuccessfully defended murder suspect Max Cady 17 years previously. Turns out he wasn't guilty, and Cady has had nearly two decades to plan his revenge against the woman he blames for putting him behind bars. Javier Bardem brings unsettling energy to the role of Cady, previously played by Robert Mitchum, Robert De Niro, and Sideshow Bob. If you like slow-burn suspense that gradually ratchets up tension, you'll like Cape Fear. You can stream Cape Fear on Apple TV+.
The spy thriller returns for its second season. Michael Fassbender plays Brandon Colby (code name Martian), a former CIA field agent who now runs operations for London Station, the agency's home office in the U.K. This season, the spy action grows more intricate, as Martian works to clear the name of his lover (Jodie Turner-Smith) while also going head-to-head with a possible double agent within the Agency's own ranks. You can stream The Agency on Paramount+ With Showtime.
Smoke rising over Kyiv, Ukraine, after a strike on Wednesday. It was the third major attack on the capital in a week.
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After years of post-COVID uncertainty, are the movies finally back? Judging by July's box office returns, that certainly seems to be the case: Debuting in theaters within weeks of one another, The Odyssey and Spider-Man: Brand New Day both have experienced record-breaking runs (the latter even claimed the largest opening weekend of all time, banking $360 million in the U.S. alone).
But if you ask me, the biggest box office success story of the year was much more unpredictable than seeing a movie from the world's most beloved director (or starring the most popular superhero) make bank: Obsession, a gnarly, R-rated horror flick produced on a budget of less than $1 million, went on to make more than $262 million in ticket sales—a true word-of-mouth phenomenon. On the other hand, with numbers like that, it's no surprise to see Obsession topping the streaming charts now that it is available to watch at home. Here are the other streaming movies that drew eyeballs last month, according to data from JustWatch.
Arriving out of nowhere from first-time director Curry Barker, who got his start making sketch comedy videos on YouTube, Obsession debuted to higher-than-expected box office returns its opening weekend, and then just never stopped making money. It seems horror fans couldn't get enough of the story of a hapless teenager (Michael Johnston) who gets more than he bargains for when he picks up a "One Wish Willow" gag toy and expresses his heart's desire: that his friend Nikki (Inde Navarrette) would fall in love with him. His wish comes true, and then some—with blood-splattering results. Stream Obsession on Peacock.
In this crowd-pleasing sci-fi, Ryan Gosling stars as Ryland Grace, a middle school science teacher who is blasted into the firmament in a last-ditch effort to save the world. Grace is the only person on Earth who might know how to protect the sun from a cosmic infection that threatens all life, but he's definitely not an astronaut and doesn't see himself as a hero either. Will he rise to the occasion and learn something about his inner strength and resilience while saving us all from death? My money is on, "yeah, probably." Project Hail Mary is streaming on Prime Video and MGM+.
Legendary director Gore Verbinski (The Ring, Pirates of the Caribbean) is back with a satirical, gleefully maximalist science fiction comedy that takes on AI, social media addiction, VR, and the modern world itself. Sam Rockwell plays a man from the future who shows up in an LA diner demanding that customers help him save the future from an artificial intelligence that is about to be born. Being a time traveler, Rockwell has tried this many times before and has always failed, but this time, it's going to be different—or everyone is going to die again. Part Terminator, part Black Mirror, Don't Die is a throw-everything-at-the-wall movie that goes so far over the top, you'll be forced to submit to its weird logic and style out of sheer exhaustion. Good Luck, Have Fun, Don't Die is streaming on Hulu, or you can rent it from Prime Video.
A family movie with enough darkness to balance out all the cute sheep, The Sheep Detectives tells the tale of an English farmer played by Hugh Jackman who reads mysteries to his flock of sheep every night. When he's found dead, the authorities attribute it to natural causes, but his sheep know better, and they set out to find the culprit using what they've learned from all those whodunnits. If you like the Babe movies, you'll like The Sheep Detectives, and if you think you're too cynical to get into a movie like this, you're probably wrong: It is charming and fun. The Sheep Detectives is streaming on Prime Video.
A sleeper hit from 2019, Ready or Not followed a woman (Samara Weaving) who went to meet her fiancé's parents and wound up being hunted by them—their next target in a game of demonic ritual sacrifice dating back generations. The unlikely sequel picks up mere minutes after the first movie ended, with the other ultra-rich, ultra-powerful families in thrall to the same evil turning up to kick off round two. With a killer cast (including Sarah Michelle-Gellar, Elijah Wood, and director David Cronenberg) and a darkly hilarious skewer-the-rich vibe, it's bloody good fun. You can stream Ready or Not 2 on Hulu.
Why is a 22-year-old, vaguely remembered Brad Pitt historical action flick suddenly appearing on the streaming charts? It makes sense when you consider that Troy essentially serves as a prequel to 2026's The Odyssey. This flashy but shallow epic from director Wolfgang Petersen stars Pitt as the legendary warrior Achilles, who sets sail in the service of his king, Agamemnon (Brian Cox), to lay siege against the title city to recover Helen (Diane Kruger), wife of the Spartan King Menaelus (Agamemnon's brother), from her "captors," Hector and Paris, young princes of Troy. If you've studied your myths (or if you've seen Christopher Nolan's new film), you know how it all turns out (it involves a horse). You can stream Troy on Peacock.
When I was a kid, I was obsessed with He-Man—me and all of the other boys born between 1975 and 1982. I dreamed of seeing the musclebound hero on the big screen, but I was merely nonplussed by the 1987 Dolph Lundgren-starring adaptation, which looked nothing like the toys and cartoons. Turns out I just needed to wait 40 years, because the 2026 version, from Kubo and the Two Strings and Bumblebee director Travis Knight, is, if anything, too faithful to the campier aspects of the franchise, with a tone that walks the line between serious action epic and Barbie-style sendup. As a result (or perhaps just because 40 years is a really long time to expect people to care about a Hercules knock-off), the movie bombed at the box office—but perhaps it will find its audience of now-middle-aged men on streaming. You can watch Masters of the Universe on Prime Video.
This chilling adaptation of one of Stephen King's earliest novels feels ripped from the capitalist hellscape of 2026: In an alternate 1970s U.S., a fascist government has taken over and, as a means of control, stages an annual "contest" known as The Walk, wherein a group of 50 boys is forced to compete in a non-stop, cross-country walking contest. The winner gets one wish granted, while the losers all get a bullet in the head. Two contestants (played by Cooper Hoffman and David Jonsson) are competing for their lives, closely watched by the ruthless Major (played by Mark Hamill in full villain mode). Stream The Long Walk on HBO Max.
If you haven't heard of Pressure, ask your dad: This WWII flick, starring a post-Oscar Brendan Fraser as Gen. Dwight D. Eisenhower, is prime Dad Movie material. It focuses on the lead-up to the Normandy invasion and is all about Eisenhower working closely with meteorologist (no, really) James Stagg (Andrew Scott) to determine if the conditions will be right to launch their planned invasion. Though it got good reviews, this one underperformed in theaters, but its modest charms seem right at home on streaming. You can stream Pressure on Peacock.
It's no mystery why this oversized alien invasion blockbuster hit the streaming charts in July. Even 30 years later, everyone likes to spend their July 4th watching Will Smith throw around one-liners as stuff blows up real good all around him (all capped off with a rousing speech from President Bill Pullman). You can stream Independence Day on Hulu.
Last week, Google rolled out its AI image generation model, Nano Banana 2, to Google Earth, its world explorer program. The company advertised the integration as a way for people to create infographics about different locations around the globe, or to generate historical landscapes of modern-day imagery. Users were also invited to generate their "dream homes" against real-world backdrops—so if you had plans to build an extension on your home, or visions of a vacation house on the lake, you could visualize it with Nano Banana 2 in Google Earth.
The news followed a trend of Google integrating its AI platforms into just about every one of its products and services (for example, last week it added new Gemini capabilities to Google Docs for Workspace users). From the company's perspective, it likely made total sense to add Nano Banana 2 to Google Earth. As it turned out, however, this is one product that Gemini wasn't meant for.
Just one day after Google launched this big Nano Banana 2 integration, it rolled it back. The company issued an update to its original announcement, which read: "We know that people uniquely trust Google Earth for a reliable view of the world. We’ve seen geospatial professionals using this feature for a range of useful purposes; however, we’ve also seen people sharing screenshots of generated imagery that appear to violate our policies. So we’re rolling back this feature in Google Earth while we work on implementing stronger guardrails. It's important to note that generated images didn’t appear in the main Google Earth experience for others to see and were watermarked as AI-generated."
This statement doesn't properly describe the images that users were generating with this tool. In my view, it went beyond "violating" Google's policies: The internet, predictably, used Nano Banana 2 to generate inappropriate and insensitive images based on real locations. Perhaps it won't come as a surprise to learn that one of the images that took off most was of a plane crashing into the new World Trade Center in Manhattan. Other images depicted the Eiffel Tower destroyed, or the Egyptian pyramids collapsing into a sinkhole. While many would likely understand these were produced in jest, plenty more could see these "official" Google Earth images online and assume the worst.
But beyond the jokes, the potential for misinformation and disinformation was alarming. For example, one user demonstrated how they used the tool to place refugees shoulder to shoulder near the Mexican border. One could imagine such an image going viral, with viewers tricked into thinking the Google Earth still was an actual satellite image. Google likely has some guardrails in place preventing many image generations from taking place, but clearly those limitations weren't strong enough. And since anyone, whether they paid for Google's AI features or not, could use Nano Banana 2 with Google Earth, all one had to do was open Google Earth and fiddle with a malicious prompt until Nano Banana 2 complied.
It doesn't take an AI skeptic to explain why this was a bad idea in the first place—but then again, few AI companies seem to be employing any skepticism before jamming generative AI features into their products. Tools like Google Earth are meant to be educational. You use them to learn about the world, its geography, and what different cities and landscapes look like. I personally love spending time spinning the digital globe around to learn about a new location, and often drop a pin on a random spot to see what it looks like on Street View. The reason I do this is that I understand Google Earth to be an accurate, reliable look at the world; if that weren't the case, why would I bother?
As such, it makes no sense to me for Google to introduce a tool that, by necessity, generates inaccurate and false views of the world. One of its selling points was viewing a place on the map as it looked in the past, but that's not what Nano Banana 2 was doing. Instead, the AI would pull from its training data to generate what it thought a historical representation of the area in question would be. If you asked it to show you what Paris looked like in 1726, it would likely overlay generic buildings and structures onto the map, rather than depict what Paris actually looked like three hundred years ago. What you're getting is the illusion of history; entertaining, perhaps, but certainly not educational—no better than scrolling through AI history slop on social media.
The same goes for the AI's "infographics." Companies like Google love to tout AI's potential as an educational tool, and on the surface, it seems like a great thing for Google Earth to generate learning graphics to teach you about a location on the map. But your generated graphic isn't vetted by anyone, and definitely not by an expert: The image that Nano Banana 2 spits out could be full of half-truths and hallucinations, and, what's worse, it won't offer any sources you can click through to check the AI's work. Casual users may retain the information they "learn" from these infographics, whether that data is correct or not.
At its worst, this feature was a disinformation machine. If you wanted to convince people that something bad happened in a particular part of the world, you could just type your request in, and Nano Banana 2 could spit out a realistic satellite image of your idea for easy sharing on social media. At a time when AI is spreading misinformation at a rapid rate, this only pours fuel onto an already raging fire. Companies like Google should be looking for ways to separate AI slop from real information, not helping it grow.
This isn't an argument against AI tools in their entirety, but it is an argument against embedding generative AI into an educational tool. What utility Google believes AI serves by taking truth and clouding it in falsehoods I do not know—other than giving it yet another example it can point to in order to tout its AI "success."
Migrants returning back to Morocco. Last week, between 50,000 and 60,000 people entered Ceuta, a small Spanish exclave in North Africa that shares a border with Morocco.
Plug-in solar panels are as large as windows, and in Germany they are often installed on balconies.
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